Emmanuel Margetis -2013
Culture Defined & Redefined.
In this exclusive SoundWorks Collection profile we talk with Director Alfonso Cuarón and Re-recording Mixer Skip Lievsay about the sound teams work to create a dramatic sound scape to a dark and vast outer space environment.
Academy Award® winners Sandra Bullock (“The Blind Side”) and George Clooney (“Syriana”) star in “Gravity,” a heart-pounding thriller that pulls you into the infinite and unforgiving realm of deep space. The film was directed by Oscar® nominee Alfonso Cuarón (“Children of Men”).
Dr. Ryan Stone (Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalski (Clooney) in command. But on a seemingly routine mission, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalski completely alone—tethered to nothing but each other and spiraling out into the blackness. The deafening silence tells them they have lost any link to Earth…and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left.
But the only way home may be to go further out into the terrifying expanse of space.
“Gravity” was written by Alfonso Cuarón & Jonás Cuarón, and produced by Alfonso Cuarón and David Heyman (the “Harry Potter” films). Chris deFaria, Nikki Penny and Stephen Jones served as executive producers.
The behind-the-scenes team includes multiple Oscar®-nominated director of photography Emmanuel Lubezki (“Children of Men,” “The New World”); production designer Andy Nicholson (art director “Alice in Wonderland”); editors Alfonso Cuarón and Mark Sanger (VFX editor “Children of Men”); and costume designer Jany Temime (the “Harry Potter” films). The visual effects were handled by Oscar®-nominated visual effects supervisor Tim Webber (“The Dark Knight”). The music was composed by Steven Price (“Attack the Block”).
Locate a theater to experience Gravity in Dolby Atmos at dolby.com
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Among their many predictions, the NIC foresees the end of U.S. global dominance, the rising power of individuals against states, a growing middle class that will increasingly challenge governments, and ongoing shortages in water, food and energy. But they also envision a future in which humans have been significantly modified by their technologies — what will herald the dawn of the transhuman era.
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Consider what happens to text once you submit it to Facebook. Unless it’s a private message, it is likely both public and permanent. A message you posted five years ago, which felt like it was visible only to a small group of friends, still exists on your timelines, where it has become more, not less, visible over time. Facebook is now in the process of making that post searchable, making it more visible than ever and fundamentally changing what it is — not a post on a wall, or on a profile, but a field in a searchable database. Facebook’s effect on data is to make it permanent, to make it easy to find. Facebook memorializes everything you give it, including likes, comments, and reactions — an awkward layer that exists to assure you of engagement, which contrasts sharply with Snapchat’s characteristically ephemeral but deeply satisfying instant read receipts.
Snapchat’s effect on all data is to cause it to deteriorate… If you do nothing on Snapchat, you disappear from Snapchat. This is a profound difference: Facebook profiles stay public whether or not they’re current, and only change if you update or delete them. Snapchat profiles only exist when you ask them to, and they go away as soon as you stop thinking about them.
What if we all stopped paying for corruption and injustice? Congress takes an unnecessary vacation on taxpayers dime and we just sit back and take it… What the hell are we paying taxes for? Who’s really benefiting from these crimes against humanity?
Photographer Jordan Matter brings us this photo-series called Dancers Among Us. It features ballet dancers posing in real life situations like showering, catching the subway, shopping, working, and making out hardcore. As you can see, the dancers are extremely talented. It’s kind of insane.